大晋二十年，皇后赫连清与贵妃柳如烟同日诞下皇子，柳如烟暗中设计换子，赫连清隐忍不发、暗中布局。她将收养的弃婴承瑞悉心培养为储君，柳如烟则对亲生儿子多年苛待。筹谋十五载后，太子册封大典上真相大白，赫连清戳破所有阴谋。最终皇帝病逝，柳如烟自食恶果失势，赫连清凭借智谋稳定朝局，登基为大顺女皇，执掌万里江山。

黑道千金阮南笙为完成母亲遗愿隐姓埋名嫁入阎家，表面是端庄贤淑的星华百货老板娘，实则暗中掌控黑白两道势力。三年间她将濒临破产的星华百货经营成暮城龙头，丈夫阎卿裴留洋归来却带回怀孕的继妹阮盈盈，两人联手逼迫阮南笙让出公司和正妻之位。阮南笙在遭遇家族背叛、爱猫被害、母亲牌位被毁后彻底觉醒，与掌控军权的新任司令阎庭安（道上称"九爷"）达成利益同盟，公开休夫夺权。在星华庆典上，阎卿裴与阮盈盈强抢公司公章未果，阮南笙当众揭露其虚伪面目，并以枪法震慑全场。

黑道千金阮南笙隐姓埋名嫁入阎家，将濒临破产的星华百货打造成暮城龙头。丈夫阎卿裴带怀孕继妹阮盈盈归来逼她让位，她遭家族背叛、爱猫被害等打击后觉醒，联手司令阎庭安休夫夺权，在星华庆典上揭穿二人面目，以枪法震慑全场。

北宋宣和年间，皇帝昏庸，民不聊生，怨声载道。当朝太师蔡京乘向皇上贡献"北辰纲"祝寿之机，搜刮民财。清贫的百姓因交不起苛捐杂税，被官府的当差们抓走，不是游街，就是坐牢。住在石碣湖畔的渔民阮小二、阮小五、阮小七兄弟三人，和年迈多病的母亲一起相依为命，过着贫寒的日子，阮小二已经成亲，阮小五已与邻村的姑娘盼青相好。他们对贪官传吏，土豪恶霸的横行霸道深恶痛绝，但是敢怒不敢言。平日里兄弟三人安分守己，从不惹是生非。但还是没有逃避灾难的降临。太平镇的恶霸何壮早就垂涎盼青的美色，唆使爪牙强盼青，激怒了阮氏三兄弟。他们痛打了何壮派来的家丁，救下了盼青和她的祖父。当何壮得知阮氏三兄弟是他20年前杀死的阮老万的后代，盼青是他害死的张大成之女时，心里又是恨又是怕，他便伙同其族兄何涛，设计陷害阮氏兄弟，企图斩草除根。他们将阮小二抓进监牢，残酷折磨，买通牢头，想毒死阮小二。阮小五、阮小七得知后，邀几位见义勇为的好汉，闯进监牢，救出阮小二。阮氏兄弟会同当地豪杰晁盖、吴用等人劫富救贫，智取了梁中书派人送往京城蔡太师府的"生辰纲"。济州府闻讯大惊，立即派黄炳等人率水陆两军，配合何壮、何涛杀向石碣村，捉拿阮氏兄弟。晁盖、吴用埋伏在途中，大败官兵，杀死了黄炳、何涛和何壮，为百姓除了害。激战后，阮氏三兄弟随着晁盖、吴用等人奔上了梁山，投身到"替天行道"的义军行列中。

1946年，西府地下党接受习仲勋指示，收编地方武装柳汉周成立西府游击队，策应三五九旅北返。游击队指导员孙桂芳努力改造这支队伍，为延安运送了大量紧缺物资。支援了解放战争。

曾为侯府倾尽一切的清瑶公主，在看清丈夫薄情、婆母刻薄、养子忘恩后，毅然和离。她收回嫁妆，远离是非，看着忠勇侯府因老侯爷罪责被抄家，白莲花表妹自食恶果，负心人流放异乡。而她重回皇家庇护，嫁给战功赫赫的罗济，修建公主府，遍植西府海棠，被真心呵护，终得圆满，告别错付，迎来属于自己的繁花盛世。

1946年三五九旅北返延安时，新成立的西府游击队劫获了一批国民党军用物资，地方保安团与警察拼命争夺，游击队做出巨大牺牲，终于把物资送到延安，有力地策应了三五九旅成功返回延安。

In Malaysia on May 13, 1969, ethnic tensions between Chinese and Malays were behind a riot that led to the deaths of hundreds of people, many of them Chinese. Forty-eight years later, two women who met at a cemetery share a bond over their struggle to cope with the loss of their loved ones.

紀錄片傳主林義方（1926-2018），民國15年（大正15年）出生於嘉義，青年時期前往日本廣島留學，1945年廣島原爆期間，因恰巧出勤離開廣島市，而幸運的在這次災難中倖存。1946年2月從日本返國後，隨即投入國民教育，1947年又遇二二八事件。這一段流變、離散與居所難以定錨的狀態，以及面對歷史事件猶如失語的情感壓抑，反映出當時部分嘉義市民面臨時代困境的縮影，突顯出嘉義市獨特的歷史容貌。本片以訪談結合田野、重演與非虛構的穿插，試圖塑造私歷史及大時代間的對話及隱喻關係。 　　The film director, Hong Jun-yuan, hails from Chiayi, Taiwan, by way of marriage to a local. His work interweaves the remarkable contributions of his wife’s grandfather from the Japanese colonial era, reflecting the minor yet significant events in the daily lives of Chiayi’s residents during that historical period. Starting with the family history narrative, the discussion delves into the everyday experiences of regular individuals amid major historical shifts. It outlines how pivotal historical junctures have affected individual lives. Moreover, by adopting the perspective of ordinary people, it reconstructs the dispersion and transformations brought by key historical events such as the Pacific War, the Hiroshima atomic bombing, and the issue regarding Taiwan’s sovereignty in relation to the Republic of China. The incorporation of scenes from the markets in Chiayi County and City within the film, juxtaposed with a comparison between the past and present, provides viewers with a retrospective glimpse into the life journey as it unfolds against the backdrop of changing historical eras.The protagonist of the documentary, Yifang Lin (1926-2018), was born in Chiayi in the 15th year of the Republic of China (Taisho 15th year). When he was young, he went to Hiroshima, Japan to study with his elder brother. During the atomic bombing of Hiroshima in 1945, he happened to leave Hiroshima because of work and survived this disaster.

影印恰恰使由最具创意的动画家所完成的第一部在复印机上完成的动画。（Expanded Entertainment提供）